Arte y hagiografía, siglos XVI-XX

Título: “¿Primer? Inventario de los objetos del Museo Politécnico (Hoy Museo Histórico Provincial Marqués de Sobre Monte)“. Autor: Federico G. Bordese. Editor: Revista del Archivo Fotográfico de Córdoba. Año: setiembre de 2011. (Este trabajo de investigación fue realizado por un pedido personal de la Encargada del museo Graciela Rausch. El motivo era la falta de un primer inventario que nunca, hasta ese momento, se pudo conseguir).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

La presencia y actividad del nacionalismo vasco en Navarra ha sido constante y permanente en la historia contemporánea. Esto se ha dejado sentir especialmente en dos coyunturas del siglo que ahora va a cerrarse: en la transición política posterior a la dictadura franquista y en el periodo republicano. Este segundo nos ofrece la perspectiva suficiente para analizar, más allá de los tópicos reduccionistas, la real implantación de esta corriente en Navarra, su discurso político e ideológico y sus diferentes práxis, en el marco de una relación de fuerzas muy distinta a la de las...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...