Botero

"Centers exclusively on techniques of painting and printmaking as practiced by the artists in Antioquia. The historic framework ranges from colonial times to mid-20th century. Londoño's study differs from the traditional, centralist perspective of Bogotá's critics. Well documented, this work received a Colcultura award"--Handbook of Latin American Studies, v. 58.

El Auxiliar para el comentario de textos literarios es un libro de probada eficacia entre alumnos y profesores de enseñanza secundaria. Reúne, de forma clara y ordenada, los elementos necesarios para realizar una lectura crítica de textos literarios (poesía y prosa) y, sobre todo, su comentario formal. De fácil manejo, su uso como material de apoyo facilita enormemente la labor del profesor, a la vez que familiariza al estudiante tanto con la terminología literaria como con un método de trabajo, documentándolo con numerosos ejemplos, textos comentados y propuesta de ejercicios....

Sobre redacción. Normas de transcripción. Topónimos y gentilicios. Lista de gobernantes. Símbolos. Abreviaturas. Siglas. Sobre léxico.

Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate...

Anthological edition with 10 texts produced from the 1970's to present by noted artist, academic, and critic Luis Camnitzer. The critical essays are centered in art although examined from different perspectives. The author reflects, criticizes and deconstructs the way we understand the artistic system, its power nets and the incidence of the commercial market. "Camnitzer shares with us the condition of looking to a dominant cultural knot, that is, it is inserted in our own same measure in what is known as the 'Colonial relationship'"--P.6.