Todo tiene su tiempo

Las obras presentadas desarrollan una síntesis de mecanismos y técnicas propias de la renovación de los lenguajes del siglo XX, principalmente la apropiación fotográfica, el collage y el trazo informalista, en un afán de celebrar el arte y criticar la sociedad que nos rodea.

Everyone puts their silver granite. Arabesques drawings -- The indiscreet eye of the cartoonist -- Photochemical precursors -- A small push -- From scientist to merchant -- First lights: Nicephorus Niepce -- The daguerreotype -- Latin American experiments -- Talbotype or calotype -- Wet collodion -- Comic Photography -- The Dry Plate -- Photographic Industries -- Industrial Visionary -- New concepts in the profession -- Not everything was lost with the world wars -- Mexican Light and shadow. First lights -- Finisecular moments -- In search of images -- Finding ways -- Contemporary nuances --...

La Mirada (the gaze) presents nine outside their country almost unknown Latin American artist-photographers. The works of the last 20 years range from straight photography to the staged image. This title describes not only gaze of the camera directed towards a specific subject, but also the artistic attitude and mental approach of the nine artists and their diverse views on photography.

Jeanne Damas and Lauren Bastide shine a spotlight on twenty real-life women of Paris, dispelling the myth that there's only one type of Parisian woman and introducing us to the city that real Parisiennes live in. All twenty embody the effortless chic and insouciant spirit of the legendary Parisian woman.