Las voces de la ciudad

Cuenta la vida del cura Miguel Hidalgo y Costilla, las obras que cumplió donde sea que se le mandara, y el papel que tuvo en la revolución para la independencia de México.

México ha tenido a lo largo del siglo xx e inicios del siglo xxi una relación ambigua, por decir lo menos, con la democracia. Si bien es cierto que el texto constitucional de 1917 se inspiró en los ideales democráticos de la Ilustración francesa y de los constituyentes de Filadelfia –especialmente en la idea de “soberanía popular” de Jean Jacques Rousseau, en la teoría sobre la división y el equilibrio de poderes de Charles de Montesquieu y en la teoría del gobierno representativo y la necesaria operación de frenos y contrapesos en las relaciones entre las instituciones...

Catalogue of an exhibition organized within the framework of the celebrations for the Bicentennial of the Independence and the Centennial of the Revolution that explore how the national heroes were portrayed in art in the early 19th century. An interesting inclusion is the iconography of national heroes in relation to the sculptures of classic antiquity. The exhibition includes close to 110 pieces including sculptures, paintings, prints, photography, books, manuscripts and some magazines largely produced in the 19th Century in México and Europe.

The main body of the book is the facsimile and transcription of the collection of themanuscript and typed letters and telegraphs mailed between artist Frida Kahlo and doctor LeoEloesser, and enriched with contributions written by experts in art and medicine such as CarlosMonsivais, Teresa del Conde, Juan Pascoe, and others. The group of letters corresponds to 3phases covering from 1936 to 1951: The first part reflects a courteous friendship and a paternalrelationship of total confidence and where she consults him for all medical and personal matters. The second part of the correspondence airs ...