Y el amor--

The book examines the outstanding characteristics of the artistic production of artist Lucy Tejada Saenz (b. Colombia 1920) during the 1950's. These texts written for her individual exhibitions or highlighting her participation in collective competitions, represent formal interpretations of the "feminine" condition of her art and the formal and conceptual transformations of the work produced during this period.

It can be said that a title defines the book. A "manual", according to two of the many definitions of the word from the dictionary of the Spanish language of the Royal Spanish Academy is "a book that summarizes the most substantial material of a topic" or "a book or notebook to make annotations". This book has more to do with the second definition in which the critical annotations of the author, throughout her experiences in museums and research, led her to write innovative texts for a better understanding of the art of the 19th century in Colombia. In addition to her numerous conferences and ...

"Our 2004/05 exhibition 'Cantos cuentos colombianos' in Zurich featuring the same group of participating artists led to a reevaluation of this generation of artists in their own native country as well as to a revised view of Colombian art around the world. We are curious to see how these works will be recieved in Brazil and hope they have a successful impact"--P. 326.