Y el amor--

The book examines the outstanding characteristics of the artistic production of artist Lucy Tejada Saenz (b. Colombia 1920) during the 1950's. These texts written for her individual exhibitions or highlighting her participation in collective competitions, represent formal interpretations of the "feminine" condition of her art and the formal and conceptual transformations of the work produced during this period.

"Our 2004/05 exhibition 'Cantos cuentos colombianos' in Zurich featuring the same group of participating artists led to a reevaluation of this generation of artists in their own native country as well as to a revised view of Colombian art around the world. We are curious to see how these works will be recieved in Brazil and hope they have a successful impact"--P. 326.

"Centers exclusively on techniques of painting and printmaking as practiced by the artists in Antioquia. The historic framework ranges from colonial times to mid-20th century. Londoño's study differs from the traditional, centralist perspective of Bogotá's critics. Well documented, this work received a Colcultura award"--Handbook of Latin American Studies, v. 58.